
“At rest?”
“No, when he is following his instincts! Or, better still,” Adam went on, “the eyes of a bird of prey when he is following his instincts. Not when he is swooping, but merely when he is watching his quarry?”
“No,” said Sir Nathaniel, “I don’t know that I ever did. Why, may I ask?”
“That was the look. Certainly not amatory or anything of that kind—yet it was, it struck me, more dangerous, if not so deadly as an actual threatening.”
Again there was a silence, which Sir Nathaniel broke as he stood up:
“I think it would be well if we all thought over this by ourselves. Then we can renew the subject.”
Mr. Salton had an appointment for six o’clock at Liverpool. When he had driven off, Sir Nathaniel took Adam by the arm.
“May I come with you for a while to your study? I want to speak to you privately without your uncle knowing about it, or even what the subject is. You don’t mind, do you? It is not idle curiosity. No, no. It is on the subject to which we are all committed.”
“Is it necessary to keep my uncle in the dark about it? He might be offended.”
“It is not necessary; but it is advisable. It is for his sake that I asked. My friend is an old man, and it might concern him unduly— unduly even alarm him. I promise you there shall be nothing that could cause him anxiety in our silence, or at which he could take umbrage.”
“Go on, sir!” said Adam simply.
“You see, your uncle is now an old man. I know it, for we were boys together. He has led an uneventful and somewhat self-contained life, so that any such condition of things as has now arisen is apt to perplex him from its very strangeness. In fact, any new matter is trying to old people. It has its own disturbances and its own anxieties, and neither of these things are good for lives that should be restful. Your uncle is a strong man, with a very happy and placid nature. Given health and ordinary conditions of life, there is no reason why he should not live to be a hundred. You and I, therefore, who both love him, though in different ways, should make it our business to protect him from all disturbing influences. I am sure you will agree with me that any labour to this end would be well spent. All right, my boy! I see your answer in your eyes; so we need say no more of that. And now,” here his voice changed, “tell me all that took place at that interview. There are strange things in front of us—how strange we cannot at present even guess. Doubtless some of the difficult things to understand which lie behind the veil will in time be shown to us to see and to understand. In the meantime, all we can do is to work patiently, fearlessly, and unselfishly, to an end that we think is right. You had got so far as where Lilla opened the door to Mr. Caswall and the negro. You also observed that Mimi was disturbed in her mind at the way Mr. Caswall looked at her cousin.”
The valet had put her away from the door, the carriage had broken into a brisk trot, the postilions had quickened the pace, she was left far behind, and Monseigneur, again escorted by the Furies, was rapidly diminishing the league or two of distance that remained between him and his chateau.
The sweet scents of the summer night rose all around him, and rose, as the rain falls, impartially, on the dusty, ragged, and toil–worn group at the fountain not far away; to whom the mender of roads, with the aid of the blue cap without which he was nothing, still enlarged upon his man like a spectre, as long as they could bear it. By degrees, as they could bear no more, they dropped off one by one, and lights twinkled in little casements; which lights, as the casements darkened, and more stars came out, seemed to have shot up into the sky instead of having been extinguished.
The shadow of a large high–roofed house, and of many over–hanging trees, was upon Monsieur the Marquis by that time; and the shadow was exchanged for the light of a flambeau, as his carriage stopped, and the great door of his chateau was opened to him.
“Monsieur Charles, whom I expect; is he arrived from England?”
“Monseigneur, not yet.”
It was a heavy mass of building, that chateau of Monsieur the Marquis, with a large stone courtyard before it, and two stone sweeps of staircase meeting in a stone terrace before the principal door. A stony business altogether, with heavy stone balustrades, and stone urns, and stone flowers, and stone faces of men, and stone heads of lions, in all directions. As if the Gorgon’s head had surveyed it, when it was finished, two centuries ago.
Up the broad flight of shallow steps, Monsieur the Marquis, flambeau preceded, went from his carriage, sufficiently disturbing the darkness to elicit loud remonstrance from an owl in the roof of the great pile of stable building away among the trees. All else was so quiet, that the flambeau carried up the steps, and the other flambeau held at the great door, burnt as if they were in a close room of state, instead of being in the open night–air. Other sound than the owl’s voice there was none, save the failing of a fountain into its stone basin; for, it was one of those dark nights that hold their breath by the hour together, and then heave a long low sigh, and hold their breath again.
The great door clanged behind him, and Monsieur the Marquis crossed a hall grim with certain old boar–spears, swords, and knives of the chase; grimmer with certain heavy riding–rods and riding–whips, of which many a peasant, gone to his benefactor Death, had felt the weight when his lord was angry.
Avoiding the larger rooms, which were dark and made fast for the night, Monsieur the Marquis, with his flambeau–bearer going on before, went up the staircase to a door in a corridor. This thrown open, admitted him to his own private apartment of three rooms: his bed–chamber and two others. High vaulted rooms with cool uncarpeted floors, great dogs upon the hearths for the burning of wood in winter time, and all luxuries befitting the state of a marquis in a luxurious age and country. The fashion of the last Louis but one, of the line that was never to break—the fourteenth Louis—was conspicuous in their rich furniture; but, it was diversified by many objects that were illustrations of old pages in the history of France.